DATA: RING AROUND O’ ROSIE
“This nursery rhyme began about 1347 and derives from the not-so-delightful Black Plague, which killed over twenty-five million people in the fourteenth century. The "ring around a rosie" refers to the round, red rash that is the first symptom of the disease. The practice of carrying flowers and placing them around the infected person for protection is described in the phrase, "a pocket full of posies." "Ashes" is a corruption or imitation of the sneezing sounds made by the infected person. Finally, "we all fall down" describes the many dead resulting from the disease.”
For the "plague" explanation of "Ring Around the Rosie" to be true, we have to believe that children were reciting this nursery rhyme continuously for over five centuries, yet not one person in that five hundred year span found it popular enough to merit writing it down. (How anyone could credibly assert that a rhyme which didn't appear in print until 1881 actually "began about 1347" is a mystery. If the rhyme were really this old, then "Ring Around the Rosie" antedates even Chaucer's Canterbury Tales, and therefore we would have examples of this rhyme in Middle English as well as Modern English forms.)”
The more likely explanation is to be found in the religious ban on dancing among many Protestants in the nineteenth century, in Britain as well as here in North America. Adolescents found a way around the dancing ban with what was called in the United States the "play-party." Play-parties consisted of ring games which differed from square dances only in their name and their lack of musical accompaniment. They were hugely popular, and younger children got into the act, too. Some modern nursery games, particularly those which involve rings of children, derive from these play-party games. "Little Sally Saucer" (or "Sally Waters") is one of them, and "Ring Around the Rosie" seems to be another. The rings referred to in the rhymes are literally the rings formed by the playing children. "Ashes, ashes" probably comes from something like "Husha, husha" (another common variant) which refers to stopping the ring and falling silent. And the falling down refers to the jumble of bodies in that ring when they let go of each other and throw themselves into the circle.
As John Lennon once explained:
We've learned over the years that if we wanted we could write anything that just felt good or sounded good and it didn't necessarily have to have any particular meaning to us. As odd as it seemed to us, reviewers would take it upon themselves to interject their own meanings on our lyrics. Sometimes we sit and read other people's interpretations of our lyrics and think, 'Hey, that's pretty good.' If we liked it, we would keep our mouths shut and just accept the credit as if it was what we meant all along.
Butler, William S. and L. Douglas Keeney. Secret Messages.
New York: Simon & Schuster, 2001. ISBN 0-684-86998-5 (p. 114-115).
